‘A charred and battered peninsula’: artistic reflections on the Dardanelles and other sites of memory
Friday 18th January 2013
In an illustrated lecture Paul Gough reflects upon his sojourns in the 1990s in the memory-scapes of Gallipoli, exploring the charred headlands of the Dardanelles Peninsula, the once-hidden trenches and dug-outs of New Zealand troops; and then in France, Belgium and Salonika.
The resulting drawings and paintings were shown at New Zealand House in London and at the National War Memorial in Wellington. Gough has also written about the way war artists learned to describe emptiness and abandonment. His lecture focused on how New Zealand artists have articulated their vision of war and peace.
About the speaker
Professor Paul Gough, painter, broadcaster and writer, has exhibited widely in the UK and abroad, most recently in Canada, New Zealand and Australia, and is represented in several permanent art collections. His research interests lie in the processes and iconography of commemoration, the cultural geographies of battlefields, and the representation of peace and conflict in the 20th/21st century.
Paul Gough has worked for ITV, BBC and C4 on creative arts programmes ranging from dance to drama, poetry to painting. He is currently Deputy Vice-Chancellor (Academic) at UWE, Bristol.